‘Scooter Trash’: Art Porn By A Bunch Of Bikers

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Scooter Trash (1985) Directed by Boz Crawford 80 min.

The way I heard about this movie was through Jeff Krulik’s 1996 documentary short King of Porn, about Ralph Whittington, owner of one of the largest pornography collections in the world. His collection currently resides at the Museum of Sex.

One of the pornos Ralph talks about in the doc is Scooter Trash, which features real bikers from upstate NY. Being a NYC native and a fan of all things unique when it comes cinema, I had to track it down.

It was surprisingly easy to find a torrent for it and download it—I guess there are a handful of Scooter Trash fans out there seeding it 24/7. Good on them for doing so, because this is a pretty remarkable movie.

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‘Life Itself’: A Film About Life Itself

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Life Itself (2014)
Directed by Steve James
120 min.

It seems that if you’re a film critic, your opinion of Life Itself boils down to whatever your opinion is of Roger Ebert. Those who disliked him, and have accused him of dumbing down film criticism by chewing up the art form in order to make it digestible for mass audiences, have disliked the film. And those who loved him for his wit, knowledge, and simple yet elegant prose, have championed it.

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‘The Purge: Anarchy’ Gets It Right, On Some Level

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The Purge: Anarchy (2014)
Written & Directed by James DeMonaco
103 min.

I want to preface this review by saying that when I went to see The Purge: Anarchy, the girl in front of me on the line for the concession stand had a picture of Drake in her wallet. This has no bearing on the rest of my review or the film; it’s just something I had to tell the world.

On to the movie.

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Under The Skin: The Year Of The Surreal Continues

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Under The Skin (2013)
Directed by Jonathan Glazer
Screenplay by Jonathan Glazer & Walter Campbell
Based on a novel by Michel Faber
108 min.

Spoilers ahead.

While waiting in line for the bathroom, I couldn’t help but overhear two women talking about the movie we had all just come from.

“Totally pointless. What was that even about?”

“Nothing.”

I guess on the surface I can see how this film could seem pointless. I mean, I get it—long silences, abstract cinematography, and alien invaders just don’t really do it for some people. However, I couldn’t help but think that maybe the reason they didn’t understand the movie was because they weren’t looking in the right place; this isn’t actually a movie about an “alien seductress [that] preys upon the population of Scotland” as its IMDB tagline says, it’s a movie about women and their place in modern society.

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A Review of a Review of ‘They Came Together’

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They Came Together (2014)
Directed by David Wain
Written by David Wain & Michael Showalter
83 min.

You don’t need a review from me of They Came Together—it’s great, it’s hilarious, go watch it. I saw it two nights ago and I plan to see it again pretty soon. It’s just too damn good.

Surprisingly, it has a 68% on Rotten Tomatoes. I don’t mean that I was expecting it to have a higher rating—quite the opposite, since some of the cleverest and most subversive comedies of the last twenty years have very low ratings: Freddy Got Fingered, MacGruber, Hell Baby, The Brothers Solomon, The Goods, The Wrong Guy, Reno 911: Miami, Nacho Libre, even Step Brothers. The list goes on—those were just ones off the top of my head. Oh, and toss two of David Wain’s previous films on that list too, while you’re at it: Wet Hot American Summer and The Ten.

The culprit seems to be that most critics don’t try and understand comedies like they do dramas. It doesn’t occur to them that maybe the reason they’re not laughing isn’t because the jokes aren’t funny, but because they don’t get them. These hypocrites don’t see their own sense of humor as a brain muscle in need of toning, whereas they’ll spend their whole lives consciously strengthening their understanding of ‘mise en scéne’ or ‘auteurship’ or ‘symoblism’ or ‘dialectics’ or ‘semiotics’ or whatever.

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