We Now Offer Free Movie Advice!

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Typical Smug Film reader at a movie store.

If cinema has taught us anything, it’s not to trust robots. So why get movie recommendations from robots? Robots don’t know anything about movies. If they did, they’d make ’em themselves or whatever. So fuck all that algorithmic nonsense on Netflix and Amazon and IMDb and countless other sites. Nothing beats good ol’ fashioned advice from a knowledgable film buff who enjoys stuff from all genres. But gone are the days when you could walk into a video store and get that sort of service. Which is why we have started a free movie advice column.

Every Monday (Beginning March 18th) Cody Clarke and John D’Amico will answer a new batch of your requests. Simply fill out the form below, and you can kiss your ‘what to watch’ woes away! (Form will not appear in RSS.)

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Life of Pi: An Allegory, or rather, a ‘Tell-egory’

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(Still taken from the wonderful site BeforeVFX.Tumblr.com)

Life of Pi (2012)
Directed by Ang Lee
Screenplay by David Magee
127 min.

Disclaimer: No, I haven’t read the book, and I understand full well that there are probably differences between the book and the movie, and that I would possibly ‘understand’ more about the story the movie tries to tell if I’d read the book.

Warning: Spoilers ahead.

I could not talk about the Oscar winner for Visual Effects without first bitching about its visual effects, but I’ll try to keep it short, as my thoughts on VFX have already been made clear enough. Basically, the CG in Life of Pi is certainly impressive, no doubt. More than once, I went back and paused on frames to gawk at the insane level of detail they crammed into the animals, which are animated with eye-popping fluidity. They may be too fluid, however, because I found myself slipping in the uncanny valley here and there—the most jarring moments being when footage of an actual tiger is juxtaposed with a CG tiger in quick succession. By and large though, the omnipresence of CG animals isn’t too bothersome. It’s integrated into the physical set well enough that it usually feels like it’s really there.
Continue reading Life of Pi: An Allegory, or rather, a ‘Tell-egory’

Eventually, This Will Be a Review of the Movie ‘Husbands’ by John Cassavetes

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Rob Fortucci, one of my best friends, commissioned this review.  I met him in tenth grade—in film class, no less.  First hour at Dwight D. Eisenhower High School, in affluent/middle class Shelby Township, Michigan.

By the time we met we had each already cultivated our respective cinephile statuses.  Mine was completely traditional—my parents and grandparents are movie buffs and introduced me to all the kid-friendly classics, everything from Spielberg to Chaplin.  At around 12, I started venturing out on my own into more ‘subversive’ territory, as one does.  By the time I met Rob at 14, I was already a Kubrick, Scorsese, and Allen fanatic, and a true student of the 70’s and ‘golden age cinema’.
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Argo: I Barely Watched It (So You Don’t Have To)

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Yes, this is really from the god damn movie.

Argo
Directed by Ben Affleck
Screenplay by Chris Terrio
121 min.

I tapped out after about 15 minutes on this one, and normally, I’d just not review the thing on here, and tweet “argo sucks ass” and call it a day, but I gotta talk about this fucking thing. Because I look at a movie like this and I can’t understand the world I live in. This movie is so the antithesis of everything I value as far as movies are concerned (and what you, ideally, should value too) and it’s times like these I feel like the great Roddy Piper in They Live, staring at the plain-to-see ugliness in front of me, and I just wanna force glasses onto everyone around me with my words. So here goes.
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A Smug Film Bonus Post About the 2013 Oscars

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Cody’s Oscar Thoughts:

I hate the god damn Oscars. Basically, for all the same reasons everyone hates the Oscars, so I don’t need to get into all that here. However, I still watch every year, because the tree of disgust for Hollywood must be refreshed from time to time by the blood of patriots. (I think Thomas Jefferson said that.)

Of what’s nominated, basically, Joaquin should win Best Actor (his acting in The Master is as good as acting can possibly get) Michael Haneke should win Best Director (I haven’t seen Amour yet, but the man can do no wrong, and fuck the Academy for snubbing The White Ribbon for Best Foreign Film a few years back) Amour should win Best Picture (because fuck you again) and Emmanuelle Riva should win best actress. (I’m sure she’s great in Amour. She’s a great actress. Léon Morin, Priest is like the greatest thing ever.)
Continue reading A Smug Film Bonus Post About the 2013 Oscars