While I’d been pretty much enjoying myself over the past several films, there’s been one looming in the distance, like an ominous storm cloud slowly moving towards me: Blue Hawaii. The one Elvis film to rule them all. The movie that set the formula for all Elvis films after it, and supposedly marked the beginning of a steep decline in quality.
But first, Wild in the Country:
Continue reading Jenna Does Elvis #4 – Wild in the Country (1961) / Blue Hawaii (1961)
You ever just wake up one morning and decide to embark on a journey of watching every Elvis movie that ever came out? Well, that happened to me the other day, and guess what, you’re coming along on this ride.
Continue reading Jenna Does Elvis #1 – Love Me Tender (1956) / Loving You (1957)
When I was in junior high school, Scarface was the most talked about movie in the hallways. It was 2000, and those hallways were a reflection of the culture at large. One time a kid asked me, “Who directed Scarface, Scorsese?” He had never heard of Brian De Palma.
There’s a popular book called Easy Riders, Raging Bulls. It’s a gossipy, oral history of 60s and 70s American movies. In the back of the book, they summarize the directors integral to the movement and give a filmography for each. Spielberg, Coppola, Scorsese, Lucas, and Malick are featured, but not Brian De Palma—despite being mentioned heavily in the book. You’d think the guy that gave Robert De Niro his first on-screen appearance (The Wedding Party, 1969) and gave him steady work way before Scorsese ever did, would be important enough to mention.
Continue reading Everything You Ever Wanted To Know About Brian De Palma (But Didn’t Care Enough to Ask)