The We and the I (2012)
Directed by Michel Gondry
Written by Michel Gondry, Jeff Grimshaw, and Paul Proch
It’s kinda unfair for me to call this his best film yet, because I haven’t seen every one of his films. Gondry is one of those directors where everyone knows his name, but few have seen more than a couple of his movies, and would be surprised to hear he’s made 10 in the last 13 years:
Human Nature (2001)
Eternal Sunshine of the Spotless Mind (2004)
Dave Chappelle’s Block Party (2005)
The Science of Sleep (2006)
Be Kind Rewind (2008)
The Thorn in the Heart (2009)
The Green Hornet (2011)
The We and the I (2012)
Is the Man Who Is Tall Happy? (2013)
Mood Indigo (2013)
I’ve seen almost all of them, though. The only one I haven’t seen is The Thorn in the Heart, not counting the two I can’t see, since they haven’t, as of yet, had much of a release: Is the Man Who Is Tall Happy? and Mood Indigo.
All this to say, I’m at least more qualified than most to make this statement. Especially since I’ve even heard of this movie, which is an impressive feat in and of itself that sets me apart from everyone else on this planet.
Continue reading The We and the I: Michel Gondry’s Best Film Yet
Do ‘so bad it’s good’ movies, e.g., The Room or Troll 2, represent an ultimate artistic triumph, or a complete failure? – Scott F.
Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
Continue reading Advice Column #10 (7/19/13)
R.I.P. Roger Joseph Ebert. June 18, 1942 – April 4, 2013
Today, John D’Amico was supposed to wax poetic about obscure zombie movies. That piece has been moved to next week. I don’t think anyone wants to read about zombie movies right now, or read about anything to do with movies, for that matter, unless it has to do with Roger Ebert. At least, I certainly don’t.
I expect that over the next few days, weeks, months, I will binge on everything Ebert. Episodes, books, interviews, etcetera. That’s the kind of death this is. A death where you are left speechless and searching, grasping for the artist’s soulful air as though it will wisp away into the ether if you don’t. But of course, it won’t. It will live on forever, and there is all the time in the world to experience and re-experience it. But the impulse is unavoidable.
Continue reading What Roger Ebert’s Death Means
There are tons of books out there on the subject of film, acting, writing, whatever. I haven’t read most of them. I’ve read some, though. And these are my favorites. By ‘favorites’ I mean they’ve had a fucking seismic effect on me. Each one of these has helped expand my mind into what it is today. So, if you enjoy my work—whether it be my writings here at Smug Film, or my films—these books are partly responsible for why the things I say and do are so damn wonderful.
Continue reading 6 Great Books for Film Lovers and Filmmakers