‘Todd Solondz on Becoming a Filmmaker’: An Unintentional Short Film

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As of the time I’m writing this, Todd Solondz on Becoming a Filmmaker & Welcome to the Dollhouse has 412 views in the 6 months it’s been online. That is a travesty. It’s one of the best short films I’ve seen in ages, albeit an unintentional one.

It’s basically just Todd Solondz being interviewed by a film major at Drexel University, Zachary Shevich, but really it’s so much more. It contains all the precise uncomfortability you might expect from a Solondz film, but wholly organic. For starters, it’s as though Solondz is being interviewed by one of his characters—Zachary’s vibe and mannerisms and attire are similar to that of the protagonist of Dark Horse and certain side characters from Storytelling, Palindromes, and Life During Wartime. Then, there’s the production values—the setting, a college screening room, is uncomfortably overlit; Solondz’ lavalier microphone is placed on the wrong side of his lapel for the direction he is speaking, as though they were nervous to be interviewing him and weren’t thinking, and maybe even switched sides last minute; the lower third graphic stating their names is a depressingly ugly, brown, clipart film strip, with a bland font; there are random mic rumbles here and there from breathing and fidgeting, and at certain points, Solondz bows his head and accidentally talks quite loudly into his mic. On top of all of this, you of course have Solondz’ calmly dour and intimidating demeanor. It’s a must-watch.

My favorite moment is the cut at 1:23 where we see the exact distance and body language of our two characters. That’s the shot at the top of this post. By the way, there’s a Part 2! You can watch both parts below:

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Back To The Future: I’ve Finally Seen It, And I Have Questions

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Every generation has movies that define their childhoods. Typically, these are ones you ‘just had to be there’ to truly experience an unwavering, visceral nostalgia for. I was born in the 80’s, so if I had to make a master list of my own, just off the top of my head it’d probably include Star Wars, Indiana Jones, Jurassic Park, The Lion King, and Robin Hood: Men in Tights. But there are many 80’s and early 90’s staples that I managed to miss completely—no, I didn’t grow up under a rock, but movies like The Princess Bride, Clueless, The Breakfast Club, Ferris Bueller’s Day Off, Home Alone (okay, most everything by John Hughes) and Back to the Future are all ones I somehow managed to miss entirely.

But now, thanks to a friend who literally set up a private screening in a college lecture auditorium for me because he was so upset I hadn’t seen it, I have finally watched Back To The Future for the first time at the age of 27. And boy do I have questions.

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The Worst Horror Trailer And Poster Of All Time

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Stuck is one of the best horror movies of the last decade, and one of the only ones to ever make me cringe. It’s not for the faint of heart—and I mean that on a things-happening-to-the-human-body level as well as a human-beings-being-awful-to-each-other level.

It’s based on the (unfortunately) true story of a woman named Chante Jawan Mallard who, while driving home under the influence, hit a homeless man with her car. She then continued home with the man stuck, still alive, in the front windshield of her car, and intentionally left him to die in her garage. She is currently serving a 50-year sentence in a Texas prison.

It’s a horrific story, and fittingly, the film does not play the scenario for laughs. Unfortunately, the trailer does just that:

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That Guy From Annie Hall Influenced Star Wars

Marshall McLuhan. That’s right, that guy in the movie theater line scene in Annie Hall. McLuhan was a philosopher, and his contributions are right up there with those of Marx, Freud, and Nietzsche. His particular focus was on mediums, and how they influence our thinking. A person raised before the printing press is different, on a functional level, from a person raised with a television in their home in the 60s, or a person raised with Wikipedia constantly at their fingertips. Our very modes of thought are changed by the forms of information around us.

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‘Doom’: Worthy Of Doing Right

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It is rumored that there will be a new Doom movie.

I don’t know anything about video games. I buy a new one every winter, just to get me through the cold. Most of them I never bother to finish. It’s just not my medium, I guess. But I know Doom. Doom and Doom II: Hell on Earth are two of a very few games to really capture me.

There are a lot of reasons to love Doom and Doom II—which, in practical terms, I consider just one long game, sort of like Godfather and Godfather II. For one, you run at like 60 miles per hour the whole time. But above all else, I’m an aesthete, so what really gets me are the games’ production design—something we should talk about in light of the upcoming film. I think this is a great opportunity to repair some long-standing damages in the sci-fi horror genre.

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