‘Todd Solondz on Becoming a Filmmaker’: An Unintentional Short Film

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As of the time I’m writing this, Todd Solondz on Becoming a Filmmaker & Welcome to the Dollhouse has 412 views in the 6 months it’s been online. That is a travesty. It’s one of the best short films I’ve seen in ages, albeit an unintentional one.

It’s basically just Todd Solondz being interviewed by a film major at Drexel University, Zachary Shevich, but really it’s so much more. It contains all the precise uncomfortability you might expect from a Solondz film, but wholly organic. For starters, it’s as though Solondz is being interviewed by one of his characters—Zachary’s vibe and mannerisms and attire are similar to that of the protagonist of Dark Horse and certain side characters from Storytelling, Palindromes, and Life During Wartime. Then, there’s the production values—the setting, a college screening room, is uncomfortably overlit; Solondz’ lavalier microphone is placed on the wrong side of his lapel for the direction he is speaking, as though they were nervous to be interviewing him and weren’t thinking, and maybe even switched sides last minute; the lower third graphic stating their names is a depressingly ugly, brown, clipart film strip, with a bland font; there are random mic rumbles here and there from breathing and fidgeting, and at certain points, Solondz bows his head and accidentally talks quite loudly into his mic. On top of all of this, you of course have Solondz’ calmly dour and intimidating demeanor. It’s a must-watch.

My favorite moment is the cut at 1:23 where we see the exact distance and body language of our two characters. That’s the shot at the top of this post. By the way, there’s a Part 2! You can watch both parts below:

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Gender is Queer: A Review of ‘Boy Meets Girl’

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Boy Meets Girl (2014)
Written and Directed by Eric Schaeffer
101 min.

Spoiler-free.

Gender is weird. Think about it: there’s two types of a being, and they have to come together in order to procreate. That’s just strange as hell. Like, why isn’t it that there’s just one type of being, and when it wants to make more beings, it just makes them? There’s probably some evolutionary reason for this I guess, like that sexual reproduction makes evolution faster because DNA recombines as opposed to asexual reproduction where DNA doesn’t recombine and thus evolution takes way longer (I checked Yahoo Answers) but still, it’s weird. I don’t care that it’s why we’re here and why we continue to be here—it just doesn’t jive with our modern minds, conceptually. We like things instant. It’s lame that I can’t just tell my body to make a baby and then a baby happens. Oh well, maybe in the next update.

It’s not just that we’re all a bunch of spoiled technobrats, though—love itself makes us realize how dumb gender is. People don’t fall in love with gender—we’re not a bunch of wandering automatons with procreation as our sole directive. We’re philosophical beings looking for a person that our soul gels with. The downside of that beautiful reality is that sometimes, said person isn’t someone we’re sexually attracted to—whatever, that’s what friends are for. Another downside is that maybe said person is someone you are sexually attracted to, but they are of a gender you are not used to being sexually attracted to. That can get messy.

Here’s the thing, though. There’s a point of time in everyone’s life—whether you’re gay, straight, or bi—where even the gender, or genders, that you are currently sexually attracted to, you weren’t used to being sexually attracted to, because you weren’t used to being sexually attracted to anyone at all. This period is called early adolescence, and everyone goes through it. And because everyone goes through it, everyone should be able to relate to this film, no matter what their sexual orientation.

On top of that, when you think about it, falling in love in general is like falling in love with a gender you’re not ready to fall in love with, because it’s always just that scary, and new, and strange, and confusing, even if you’ve fallen in love several times before. Eric Schaeffer understands this, and has imbued this seemingly specifically-themed film with universal themes. As a result, Boy Meets Girl transcends its Queer Cinema sub-genre and has more to say about love than the vast majority of romance movies.

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An Interview with Gregory Wilson, Director of ‘The Girl Next Door’

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The Girl Next Door absolutely wrecked me. I can think of no other horror movie that has been able to bring me to tears. That’s such a rare emotion for the genre. But, when you think about it, tragedy really is the scariest thing—the people you love, in horrible situations, suffering, the threat of their death looming. Horror movies, to truly be horrific, should be tragedies, at least somewhat. Unfortunately, more often than not, they’re merely gory action movies or tongue-in-cheek comedies. If that’s not clear to you now, it certainly will be after watching this film.

Recently, I had the chance to sit down and pick the brain of its director, Gregory Wilson:

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Smug Film Podcast Episode #8 – Harry Brewis / Vertical Videos / Death in Film / Man of Steel

ep8

1:09:44 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Harry Brewis. We discuss the merits of vertical videos, death in film, Man of Steel, and much more! We also introduce a new segment called ‘Old, New, Borrowed, Blue’, and as always, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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Smug Film Podcast Episode #7 – Acting Class / Steven Seagal / Homegrown Cinema

homegrown
1:22:58 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss an acting class John took, Jenna’s foray into the films of Steven Seagal, and for our main topic, we tackle the idea of homegrown cinema. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #7 – Acting Class / Steven Seagal / Homegrown Cinema