Tag: john damico

As I Lay Dying: Filming the ‘Unfilmable’

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As I Lay Dying (2013)
Directed by James Franco
Screenplay by James Franco and Matt Rager
Based on the novel by William Faulkner

Spoiler-free.

As I Lay Dying is James Franco’s seventh feature-length film as a director, but only his second to receive much of a release. The first was The Broken Tower, a biography of the poet Hart Crane, which was completed as his MFA thesis for NYU. Despite the fact that Focus picked it up and it starred Franco and Michael Shannon, that film felt like a student film through and through, and Franco received the critical berating he earned. Two years later, he’s back with another difficult work of American Modernism.

James Franco kind of stepped into a minefield with this one. The literary crowd is unimpressed with his famoused-my-way-into-a-book-deal poetry and prose, and his more mainstream fans are turned off by his occasional excursions into ‘pretentious shit’. Here, then, is a way to alienate two distinct fan bases at once.

I must just be a contrarian, because these are the sorts of films that interest me most.
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On Colorization

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She (Orig. 1935, Colorized Version 2008)

Colorization is one of those things that people call “controversial”, and like most glib descriptors, it’s a kind of shoddy definition. There’s no controversy over colorizing things. People hate it. Everybody hates it.

The people who care about movies hate it because it paints over esteemed favorites, dolloping them in eerie flesh tones and smeared, lifeless color like a little girl trying out one of those toy makeup kits. Meanwhile, they fail to catch any new blood because those who hate black and white movies don’t just hate black and white movies because they’re in black and white, and a bit of clown makeup will never bridge that psychological distance.
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A Rebuttal to ‘Gravity: A Lifetime Movie in Space’

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Gravity (2013)
Directed by Alfonso Cuarón
Written by Alfonso Cuarón & Jonás Cuarón
90 min.

The following is a rebuttal to a recent Smug Film review, ‘Gravity: A Lifetime Movie in Space‘. Mild spoilers.

Gotta disagree on all counts.

Let’s go through it. The 3D diorama effect was kind of essential here, because it’s a film in a setting where people are literally thin slices floating on a plane of nothingness. It created strong contrasts between Bullock and the stars, debris and earth, and even the thumb-printed glass of the helmet and the actor’s faces. There’s one moment where a space station, a person, and the Earth are all in frame, separated by hundreds of miles, and all perfectly in focus because of a lack of atmospheric distortion. The 3D made that distance come alive in a way it can’t in 2D. It’s about gulfs, impossible blank gulfs, and that’s why it’s one of the only truly essential uses of 3D I’ve seen yet. About the only other one I can think of is Cave of Forgotten Dreams, which used it to bring out distances of millimeters of depth on a wall. Seems like 3D is at its best when it’s working with the very small or the very large.
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Advice Column #11 (10/11/13)

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I’d really like to see a truly scary, yet beautifully put together movie with psychological elements and plausibility, but maybe some surrealism as well. Something like Eyes Without a Face or Suspiria. Where the fear is more from the vibe than from the definable foe and allures me so that I can’t look away from it even while it’s unsettling. — Chloe P.

Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
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10 Great YouTube Movies You May Not Have Seen

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A Huey P. Newton Story (2001)

It’s sort of hard to remember now how difficult it used to be to watch movies. You, like I, may have foggy memories of a bygone era when you had to go to movies, or work around their timetables on TV, or cruise through seedy rental houses. But the bad old days are over and I for one have no nostalgia. We’re blessed. Hell, I have a hard drive that just a few years ago would’ve probably been one of the most impressive rare film archives in the state. Our access to previously unavailable or underavailable films is dizzying.

Ubu, The Internet Archive, Dailymotion, The Warner Archive. Use ’em all, love ’em all. But the king of the mountain is still YouTube. There are untold thousands of rare film on YouTube. Let’s check a few out:
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