Strongman: Pitch-Perfect Cinema Vérité

strongman


Strongman (2009)
Directed by Zachary Levy
113 min.

A day after I posted my How To Watch a Film essay, I received an email from the director of this film. He reached out because loved the essay and he’d gone through, with his own film, exactly what I described going through with my film, Rehearsals—people that were ambivalent about it when watching a screener and then blown away in a theater setting.

For a long time, he avoided releasing his film on DVD because he felt that a theater was the ideal setting to see it, and he wanted to do whatever he could to make sure as many people as possible could see it properly. However, he’s recently decided to finally take the plunge and release it on DVD and Digital, and it’s due out this month.

Zach was kind enough to send me an advance copy of the DVD in the mail, which I watched this past week, and let me tell you—this thing is plenty powerful on an average-sized flatscreen. I don’t know that I could even handle this thing in a movie theater. This is one of the most gripping vérité docs I’ve ever seen in my life. It’s no surprise at all that it has a 100% rating on Rotten Tomatoes, was on Roger Ebert’s Year’s Best list, and was a New York Times Critics’ Pick.
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Halloween 4, 5, 6: The Most Fascinating and Flawed Trilogy in Film History

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Halloween 4: The Return of Michael Myers (1988)

This time of year always gets me thinking about horror flicks, and there certainly are a lot of them to think about. They’ve been around as long as film itself, and despite evidence to the contrary, they still make horror films today! Whether the ones of today are actually any worse than they used to be is hard to say through the haze of nostalgia, but it is inevitably the American horror films of the 70’s and 80’s that I gravitate to—the films of my childhood. And none fascinate me more so than the Halloween series.
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Twisties: Why ‘Oblivion’ And Many Other Movies These Days Suck

oblivion


In my earliest Smug Film piece, I reviewed a movie called ATM and introduced this idea of ‘Roomies’—movies where the characters are trapped in some kind of room and the whole point is figuring out why they’re there and how to get out. Exam, The Breakfast Club, and Cube are some popular examples. Now I’m going to introduce you to Twisties, which have become quite prevalent lately.

I saw the Tom Cruise movie Oblivion in the theater by myself.  I like going to the movies by myself.  It’s cool.  There’s something about being by yourself in the grandeur of the theater that always reminds me how much I want to make movies.
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