King Kong King Kong King Kong King Kong King Kong

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King Kong (1933)
Directed by Merian C. Cooper & Ernest B. Schoedsack
Screenplay by James Creelman and Ruth Rose
100 min.

KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG KING KONG
KING KONG KING KONG KING KONG KING KONG KING KONG
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Three O’Clock High: Where Has This Movie Been All My Life?

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Three O’Clock High (1987)
Directed by Phil Joanou
Written by Richard Christian Matheson & Thomas E. Szollosi
101 min.

Spoiler-free (is the way to be!)

I hadn’t heard of this one until Greg mentioned it in his Husbands essay. And then the title kept swimming around in my head after that, for some reason. And then about a week ago, I was scrolling through the guide on my TV, and bam, there it was, about to start, on one of the movie channels. So I DVR’d it. (When the universe strongly suggests, through synchronicity, that I watch something, I abide, like a good little God-in-embryo.)
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Stone Reader: This Review Does Not Contain Spoilers, Read It and Go Watch the Movie

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Stone Reader
Written and Directed by Mark Moskowitz
127 min.

Mark Moskowitz could have easily just hired a private investigator and called it day.  Thank god he decided to make a movie rather than just find someone.

Stone Reader is a documentary about a guy who reads a book, likes it a lot, and wants to read the author’s other work.  He can’t find any, and decides to track down the author and find out why he never wrote anything else.  This may seem like a pretty thin, simple premise, but the movie transcends that.  It is literary, with a clear narrative and linearity, and it tackles an overall theme (that unfolds beautifully). Like a great novel, it also meanders—’hangs out’ and ebbs and flows.  It’s a movie made by a writer-at-heart who just happens to be a filmmaker and not an author, and a wonderful journey that you can’t help but melt into.
Continue reading Stone Reader: This Review Does Not Contain Spoilers, Read It and Go Watch the Movie

‘Dark Horse’ & ‘Damsels in Distress’: A Tale of Two Departures

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One of the best shots in recent history. This, right here, is how you say ‘fuck you’.

Dark Horse (2011)
Written and Directed by Todd Solondz
86 min.

Spoiler-free.

I should’ve seen this one in theaters. But I didn’t. I listened to people. I should never listen to people. People are shit. By ‘people’ I mean those-who-tell-you-a-movie-sucks-and-that-it-is-an-unwelcome-departure-from-said-filmmaker. Those people. Fuck those people.

Why is it that they never caution you about the right movies? I would’ve killed for someone to tap me on the shoulder before I saw Damsels in Distress and warn me that Whit Stillman—a once perfect filmmaker of remarkable integrity—has decided to cop out and pander to a generation he doesn’t understand, and isn’t even worth understanding. But no. They had to warn me about this one instead.
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Life of Pi: An Allegory, or rather, a ‘Tell-egory’

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(Still taken from the wonderful site BeforeVFX.Tumblr.com)

Life of Pi (2012)
Directed by Ang Lee
Screenplay by David Magee
127 min.

Disclaimer: No, I haven’t read the book, and I understand full well that there are probably differences between the book and the movie, and that I would possibly ‘understand’ more about the story the movie tries to tell if I’d read the book.

Warning: Spoilers ahead.

I could not talk about the Oscar winner for Visual Effects without first bitching about its visual effects, but I’ll try to keep it short, as my thoughts on VFX have already been made clear enough. Basically, the CG in Life of Pi is certainly impressive, no doubt. More than once, I went back and paused on frames to gawk at the insane level of detail they crammed into the animals, which are animated with eye-popping fluidity. They may be too fluid, however, because I found myself slipping in the uncanny valley here and there—the most jarring moments being when footage of an actual tiger is juxtaposed with a CG tiger in quick succession. By and large though, the omnipresence of CG animals isn’t too bothersome. It’s integrated into the physical set well enough that it usually feels like it’s really there.
Continue reading Life of Pi: An Allegory, or rather, a ‘Tell-egory’