There Is No Such Thing As A ‘Reboot’

godzilla2014

I saw the new Godzilla yesterday. I enjoyed it a lot, but I’ve been weirded out for months over the fact that I’ve had to call it something I’ve never had to call a Godzilla film. Just like how I recently had to call a Bond film something that, in 50 years of recasting and returning to ground zero, I’ve never had to call a Bond film.

I’m all for specialized vocabulary. Film needs its own exclusive words to describe its own processes, but ‘reboot’ is not such a word. I’ve asked people time and again to define it, and I’ve read about it online—god help me, I’ve even read the Wikipedia page for it. It’s just not a real and distinct concept. It’s a cheap marketing buzzword, that’s all it is. And more than that, the very existence of the term is symptomatic of a rot at the core of contemporary filmmaking.

Continue reading There Is No Such Thing As A ‘Reboot’

An Interview with Gregory Wilson, Director of ‘The Girl Next Door’

girlnext1

The Girl Next Door absolutely wrecked me. I can think of no other horror movie that has been able to bring me to tears. That’s such a rare emotion for the genre. But, when you think about it, tragedy really is the scariest thing—the people you love, in horrible situations, suffering, the threat of their death looming. Horror movies, to truly be horrific, should be tragedies, at least somewhat. Unfortunately, more often than not, they’re merely gory action movies or tongue-in-cheek comedies. If that’s not clear to you now, it certainly will be after watching this film.

Recently, I had the chance to sit down and pick the brain of its director, Gregory Wilson:

Continue reading An Interview with Gregory Wilson, Director of ‘The Girl Next Door’

Smug Film Podcast Episode #8 – Harry Brewis / Vertical Videos / Death in Film / Man of Steel

ep8

1:09:44 | View on iTunes | Download Mp3

On this episode, I am joined by fellow Smug Film contributors John D’Amico and Harry Brewis. We discuss the merits of vertical videos, death in film, Man of Steel, and much more! We also introduce a new segment called ‘Old, New, Borrowed, Blue’, and as always, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a movie-related question you’d like answered on the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
Continue reading Smug Film Podcast Episode #8 – Harry Brewis / Vertical Videos / Death in Film / Man of Steel

An Interview with Danny Reid of Pre-Code.com

gabriel

Gabriel Over the White House (1933)

Danny Reid is the operator of Pre-Code.com, a blog dedicated to watching and reviewing every film from Hollywood’s “pre-Code era” between 1930 and 1934, the brief period of time where the Motion Picture Production Code of censorship wasn’t strictly enforced. This led to daring films about taboo topics like abortion and incest, among other themes that couldn’t be shown in a Hollywood film from around 1934 and until the system began to crumble in the 60s.

James Bell, the features editor of Sight & Sound Magazine, recently called the site “invaluable” for its documentation of this sometimes overlooked era of filmmaking. Sitting down with Danny, he was able to tell me a bit about why he decided to take on the project, why he loves pre-Code movies, why he doesn’t like Code-era movies, and even offer a bit of advice about how to run a movie blog.

Continue reading An Interview with Danny Reid of Pre-Code.com

Proposed Double Feature: ‘Wall Street’ & ‘Boiler Room’

wallboil

Continuing a series started by John D’Amico.

You could watch Wall Street first and then Boiler Room, or the other way around, or be meta and put them both on at the same time and quote the scene where everyone in Boiler Room quotes Wall Street while watching Wall Street.

However you choose, these two movies are way better than The Wolf of Wall Street or that Michael J. Fox one, the one with Helen Slater.

Continue reading Proposed Double Feature: ‘Wall Street’ & ‘Boiler Room’