Author: Cody Clarke

The Innkeepers: A Crappy Horror Movie That Could’ve Been One of the Best Ever

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The Innkeepers (2011)
Written & Directed by Ti West
101 min.

Spoilers ahead. But not in the two paragraphs directly below this sentence.

What happened with this one? It really makes no sense how it could be so bad. The House of the Devil, Ti West’s film right before this, is pitch-perfect. A modern classic dripping with maturity. Easily one of my favorite horror movies of all time. The Innkeepers, however, is blatantly botched. So much so that it’s hard to believe he didn’t make it prior to The House of the Devil. How does one go from being the most intelligent horror writer-director around to being a hack in two short years? Did he get hit on the head or something?

I suspect the studio insinuated itself during the writing process, with awful script notes and the like. The thing just plain feels tinkered with and compromised, because the story starts off solid, and where he seemed to be going with it was genius and groundbreaking. And then unfortunately, for whatever reason, knowingly or unknowingly, he veered off onto a well-worn, safe, hackneyed path that robbed it entirely of depth.
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Netflix Quickies #2 (The Imposter, Bully, Frankie & Johnny, Hiding Out, Antichrist)

Alright so whenever I go on Netflix Instant I just sorta pick random movies from my queue, try them for a few minutes, and then if I’m not feeling them moving on to another until I finally find one I don’t hate, and then I watch that one. This ‘Netflix Quickies’ thing is basically a series where I just talk about movies I decided not to watch after some amount of minutes and explain exactly what turned me off about them. Here goes:

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The Imposter (2012)
Directed by Bart Layton
99 min. (Gave up after 7 min.)
Continue reading Netflix Quickies #2 (The Imposter, Bully, Frankie & Johnny, Hiding Out, Antichrist)

What Roger Ebert’s Death Means

rogerebert
R.I.P. Roger Joseph Ebert. June 18, 1942 – April 4, 2013

Today, John D’Amico was supposed to wax poetic about obscure zombie movies. That piece has been moved to next week. I don’t think anyone wants to read about zombie movies right now, or read about anything to do with movies, for that matter, unless it has to do with Roger Ebert. At least, I certainly don’t.

I expect that over the next few days, weeks, months, I will binge on everything Ebert. Episodes, books, interviews, etcetera. That’s the kind of death this is. A death where you are left speechless and searching, grasping for the artist’s soulful air as though it will wisp away into the ether if you don’t. But of course, it won’t. It will live on forever, and there is all the time in the world to experience and re-experience it. But the impulse is unavoidable.
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Three O’Clock High: Where Has This Movie Been All My Life?

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Three O’Clock High (1987)
Directed by Phil Joanou
Written by Richard Christian Matheson & Thomas E. Szollosi
101 min.

Spoiler-free (is the way to be!)

I hadn’t heard of this one until Greg mentioned it in his Husbands essay. And then the title kept swimming around in my head after that, for some reason. And then about a week ago, I was scrolling through the guide on my TV, and bam, there it was, about to start, on one of the movie channels. So I DVR’d it. (When the universe strongly suggests, through synchronicity, that I watch something, I abide, like a good little God-in-embryo.)
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An Interview with Brendan Mitchell, aka, WetMovie1

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Brendan Mitchell, known on YouTube as WetMovie1, is a self-proclaimed movie hoarder—and quite proud of it. He has over 5,000 VHS, DVD’s and Blu-rays in his ever-growing personal collection, and posts weekly updates on his channel discussing his latest purchases. He also posts reviews of new movies, as well as ‘Hoarding Up’ videos, in which he films himself and his friends as they travel to big box stores to stock up on new releases and sale items. One could definitely say he’s certifiably obsessed with movies, and his attitude is infectious—he’s a very friendly and personable guy, and when you watch his videos, his completely unpretentious disposition towards cinema, and awe for all that it has to offer, rubs off on you.
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