Smug Film Podcast Episode #3 – Movies That Got Us Into Movies (4/21/14)

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On this episode, I am joined by fellow Smug Film contributors John D’Amico and Jenna Ipcar. We discuss the movies that got us into movies, and were our gateway into obsession. As always, we go on tangents along the way, take a quick break for a movie joke by comedian Anthony Kapfer, and then close the show with questions from our mailbag.

If you have a question for the show, leave it in the comments or email us at Podcast@SmugFilm.com.

If you enjoy the podcast, be sure to subscribe on iTunes, and leave a rating and a comment on there as well. Doing this helps us immensely as far as our ranking on there, which is what allows people to be able to discover us. Word of mouth is always best of all though, so spread the word!

Movie Stuff Referenced in this Episode:
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On Colorization

she
She (Orig. 1935, Colorized Version 2008)

Colorization is one of those things that people call “controversial”, and like most glib descriptors, it’s a kind of shoddy definition. There’s no controversy over colorizing things. People hate it. Everybody hates it.

The people who care about movies hate it because it paints over esteemed favorites, dolloping them in eerie flesh tones and smeared, lifeless color like a little girl trying out one of those toy makeup kits. Meanwhile, they fail to catch any new blood because those who hate black and white movies don’t just hate black and white movies because they’re in black and white, and a bit of clown makeup will never bridge that psychological distance.
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The 10 Most Overrated Classic Movies

godfather

Nope, not gonna touch this one. Too easy.

It’s easy to pick on classics.  In fact, by virtue of being considered ‘classic’, they’re almost assuredly not as good as they’re said to be.  Anything so beloved is automatically suspect.  This is not contrarianism; it’s healthy skepticism.  In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.

I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made.  But, like I said, it’s easy to pick on the big ones.  Casablanca, The Godfather, and Gone With the Wind all have their place in history, but that doesn’t make them better than Back to the Future.  And they aren’t.  Not artistically, and certainly not in our collective hearts.

However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated:

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10 Audacious Zombie Movies

hands
A gorgeous shot from The Plague of the Zombies (1966).

Now that Mad Men‘s back and I’m watching AMC, I keep seeing ads for The Walking Dead. I really, really, really don’t like The Walking Dead.

Even setting aside its dubious social politics, I think it’s thoughtless and ugly and boring. It has a routine as codified and rigid as Scooby Doo, but instead of that show’s good-natured-if-dull hippyism, it’s got nothing but contempt for its characters and audience. It’s a death march to samesy gore scenes in which the human body pulls apart as easily as tissue paper full of spaghetti sauce. I’m not impressed, and I resent it.
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