Really, really funny old black and white movies. Already seen Marx, Abbott and Costello, Keaton, Chaplin, Stooges. – Stacey R.
Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
Continue reading Advice Column #4 (4/8/13)
By and large, the film community has a frustrating habit of undervaluing some of our less conventional actresses. Great talents like Viveca Lindfors, Alfre Woodard, and Catherine Burns tend to promise more than they’re ever really allowed to deliver. We embrace the hell out of our oddball actors like Walken, Goldblum, and Buscemi (and with good reason, what a harvest of incredible parts those three yield), but it seems to me that things are tougher out there for a woman who’s not conventional enough to be a romantic lead.
So, I’d like to take a moment here and profess my appreciation for one of the rare talents of all of cinema, a woman who, despite major criticism, consistently gave some of the best and most memorable performances in film history.
Continue reading Shelley Duvall: And All At Once I Knew
Black comedy, something like: Arsenic and Old Lace, Dr. Strangelove. Or, some with dry British humour like Kind Hearts and Coronets. – Bawuk R.
Cody Clarke: I’m blanking on older black comedies besides what you mentioned. But hell, you didn’t specify old, so fuck it, here’s some non-old black comedies that are great:
Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
Continue reading Advice Column #2 (3/25/13)
Greed (1924) | Directed by Erich von Stroheim
Greg,
There’s a film writer I like named Marya Gates who once tackled the idea that “old movies” aren’t worthwhile. In a short video overview of film history from inception to the present day, she concluded that “if you don’t love all of it, I don’t understand how you can watch any of it.”
This, to me, is the only valid way of viewing movies. Dismissive negativity is the cheapest commodity in the world and the culture of holding yourself in smug superiority over what you’re viewing seems only to grow in the echo chamber of the internet, full as it is of teenagers and self-proclaimed cynics who cling to their assumptions and prejudices as an essential and valuable part of themselves, not recognizing that those qualities are our greatest failings. So, I’m baffled by your piece The Idea of What a Movie Is.
Continue reading A Rebuttal to ‘The Idea of What a Movie Is’
Critically acclaimed, visually striking, black and white movies that aren’t fucking boring. For example: Dr. Strangelove, Seven Samurai, The Hidden Fortress, Yojimbo, The Night of the Hunter. – Nikul B.
Cody Clarke: ‘Boring’ is kind of relative, so here are some visually-striking black and white movies that are ‘not boring’ for completely reasons. I think you might enjoy them, based on the ones you listed:
Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
Continue reading Advice Column #1 (3/18/13)