Bill and Ted’s Excellent Adventure: An Almost Perfect Movie

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Bill and Ted’s Excellent Adventure (1989)
Directed by Stephen Herek
Written by Chris Matheson & Ed Solomon
90 min.

Very mild spoilers.

Bill and Ted’s Excellent Adventure is almost perfect.  It’s very original, the characters are cleverly constructed, there are some cool visuals, the ride is a lot of fun, and there’s even a few touching moments.  But it’s missing a certain fundamental piece of storytelling, the absence of which prevents it from being transcendent.  Instead, it’s merely a bonafide classic (which is still pretty damned good).
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The 10 Most Overrated Classic Movies

godfather

Nope, not gonna touch this one. Too easy.

It’s easy to pick on classics.  In fact, by virtue of being considered ‘classic’, they’re almost assuredly not as good as they’re said to be.  Anything so beloved is automatically suspect.  This is not contrarianism; it’s healthy skepticism.  In an age where most people still aren’t atheists and science is constantly hindered by new age nonsense, skepticism is beyond necessary.

I figured I’d apply that maxim to culture and pick the ten most overrated classic movies ever made.  But, like I said, it’s easy to pick on the big ones.  Casablanca, The Godfather, and Gone With the Wind all have their place in history, but that doesn’t make them better than Back to the Future.  And they aren’t.  Not artistically, and certainly not in our collective hearts.

However, here, rather than just list the most acclaimed classic movies and call it a day, I really wanted to hone in on some particular titles that I find obnoxiously overrated:

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Forrest Gump: A Gritty Indie Film Masquerading as a Hollywood Epic

forrest


Forrest Gump (1994)
Directed by Robert Zemeckis
Screenplay by Eric Roth
From a novel by Winston Groom
142 min.

I know it’s weird, but there are actual people who don’t like Forrest Gump.  (Dr. Seuss described this phenomena as having a heart three sizes too small.)  Sentimentality is a powerful thing—it makes people cry and tricks intellectuals into thinking art isn’t good.  It also tricks moms into thinking that a movie with LSD use, a guy blowing his load early, sexual bartering, and child molestation is appropriate for an 8 year old—or, maybe I just have a really cool mom.

I was flipping through the channels the other day (I don’t use ‘the guide’) and I landed on Forrest Gump, which is the epitome of a ‘whenever it’s on TV I have to finish it’ movie.  I landed on one of Jenny’s hippie scenes, the one where a dude pulls up in a Volkswagen Beetle and asks if anyone wants to go to San Francisco, and Jenny says “I’ll go,” and he says “Far out!”, like a very happy hippie.  At that moment, I had a realization: Forrest Gump is a pretty weird movie to be on ABC Family (which is the channel it was on).  When I was a little kid, Forrest Gump was just a big, fun movie that made me laugh and then cry at the end.  When I was eight, I didn’t understand that when Forrest is sitting on Jenny’s bed in her dorm and she takes off her shirt, he ejaculates early.  Forrest Gump is a gritty, indie film masquerading as a Hollywood epic.

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Twisties: Why ‘Oblivion’ And Many Other Movies These Days Suck

oblivion


In my earliest Smug Film piece, I reviewed a movie called ATM and introduced this idea of ‘Roomies’—movies where the characters are trapped in some kind of room and the whole point is figuring out why they’re there and how to get out. Exam, The Breakfast Club, and Cube are some popular examples. Now I’m going to introduce you to Twisties, which have become quite prevalent lately.

I saw the Tom Cruise movie Oblivion in the theater by myself.  I like going to the movies by myself.  It’s cool.  There’s something about being by yourself in the grandeur of the theater that always reminds me how much I want to make movies.
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An Open Letter To David Lynch

Til presse m¯de p Gammel strand, hvor han udstiller.


Dear Mr. Lynch,

Beyond the joy of creation, recognition, and the obvious benefits of fame like money and girls, I think the biggest ambition of any artist is to gain the respect of the guys who influenced them.  To be considered an equal by them for just five minutes.  To talk as peers.

Mr. Lynch, you’re on my short list.  However, the road to fame is long, hard, and wrought with happenstance, obstacles, luck, and a zillion other x factors out of my control.  I just might not ever make it.  And even if I do, I might not ever do anything up your alley.  And, not to be crass, but you’re getting up there in years.  So, in the unfortunate and likely event that our paths never cross, I figured I’d at least send this little message out into the ether.  Maybe you’ll pluck it out of the universe one day while you’re meditating.  Or maybe you have a friend who’s a huge Smug Film fan. (Hey, I can dream, can’t I?!)
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