Tag: smug film

This Is The End: Hopefully, Yes

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The entire movie looks this goddamn ugly, albeit higher resolution. (Sorry, this was the best image I could find online that represented the actual look of it and wasn’t just production stills or whatever.)

This Is The End (2013)
Written and Directed by Evan Goldberg & Seth Rogen
107 min.

This film doesn’t need to exist.

I don’t mean that in a hyperbolic, insulting way. It’s completely true. This is an entirely superfluous film. And I’m sure those involved would agree, and giggle at the thought (especially the giggle-prone Rogen) and take pride in the fact that they made such a useless movie. But I’m not smiling, or laughing, or giggling.
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A Blank Stare Is Worth A Thousand Words

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There’s a small moment in Sofia Coppola’s Lost in Translation that’s stuck with me more than the rest of the movie (a movie which is little else besides small memorable moments). It’s the morning when Bill Murray’s character Bob is supposed to leave Tokyo, but he’s all tore up because he’s fallen for the young, idle Charlotte, who’ll stay in Tokyo after he’s gone. Whomever that group of Japanese suits is that’s been hauling from him from job to job wants a picture with him (because he’s a movie star I guess) so they all line up. But when they go to take the photo, Murray’s smile fades and his gaze wanders to watch Charlotte walk to the elevator. The look on his face is packed with enough longing and conflict and anguish to fill a sushi boat—yet his expression is pretty bare. It’s kind of a frown, but not exactly. He looks more tired than anything. It calls to mind the zombie mimicking instructions from Shaun of the Dead: “Vacant, with a hint of sadness. Like a drunk who’s lost a bet.” It’s also sad as hell. It’s not the realization that they’ll never see each other again that gets to me, it’s that damned stare.
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The 10 Nicest Movies Ever Made (If These Movies Don’t Make You Cry, You Have a Black Heart)

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Field of Dreams. The undisputed king, for sure. But here’s ten other great ones.

It was a really tricky thing putting this together because they’re ranked on niceness, not goodness.  Number two and number five are the best movies on the list.  But they aren’t the nicest.

Niceness is even harder to define than coolness.  Niceness is a warm and fuzzy feeling that a lot of art can generate.  Probably the most popular example would be Norman Rockwell paintings. Niceness, like coolness, taps into our primal brains somewhere.  We’re wired to feel it because it connects us to each other.  But the problem with niceness is that it borders so heavily on cheese.  Cheese done right is transcendent.  But cheese done wrong is, well, cheesy.
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Advice Column #9 (6/14/13)

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I see so many clueless directors putting female characters whose only job is to BE female. I would like a list of movies with strong female characters that are not defined by their gender. And no cheesy role reversal things where the woman has the traditional male qualities. Just some nice films (or raw horrifying ones) where the woman or women are just real people. And don’t say Joy Luck Club cause I already know about it. That was extremely good at what it was. – Michael H.

Editor’s Note (12/4/14): We no longer answer movie questions through our advice column. We answer them in the mailbag segment of our podcast. Send them to Cody@SmugFilm.com and we will answer on the show!
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10 Woefully Underrated Comedies

It’s not hard for comedies to slip under the radar. Like any ‘genre film’, so many are pumped out each year that it’s almost impossible to keep track of which ones are good. Unless something gets an alarmingly high rating on Rotten Tomatoes, or was made by people you trust no matter what the Tomatometer says, you probably aren’t going to see it. And then you’re going to forget it even existed. Here’s ten great ones that probably passed you by.

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Dan in Real Life (2007) | Dir. Peter Hedges | 98 min. 
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